Lecture1220thcenturyAmericanPoets1剖析.pptx
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1、Lecture1420th-CenturyAmericanPoets(1)NancyWangMay29,2014Ezra Pound(1885-1972)thefatherofmodernAmericanpoetrythemostinfluentialleaderoftheImagistMovementHehadennormousinfluenceonthemodernistwritersinBritainandAmericaafterWWII.Imagism(意象派诗歌)Imagism came into being in Britain and U.S.around 1910 as a r
2、eaction to the traditional English poetry to express the sense of fragmentation and dislocation.The imagists,with Ezra Pound leading the way,hold that the most effective means to express these momentary impressions is through the use of one dominant image.Imagism(意象派诗歌)1.freeverse2.economyofexpressi
3、on;touseabsolutelynowordthatdoesnotcontributetothepresentation;3.eachwordmustbeanimageseenandtheremustbeadominantimage4.Imagism was equivalent to naturalism in fiction.Imagism tired to record objective observations of an object or a situation without interpretaion or comment by the poet.The strange
4、groupings of words show how life can be broken into somehow meaningless clusters.Pounds Life ExperienceslBorninIdahoandraisedinWyncote,Philadelphia.lAttheageoftwelve,Poundenteredamilitaryschool,wherehelearnedGreekandLatin.lHethenstudiedlanguagesattheUniversityofPennsylvania,andbefriendedthereWilliam
5、CarlosWilliams.lFrom1903to1906PoundstudiedAnglo-SaxonandRomancelanguagesatHamiltonCollege.lIn1908PoundtravelledwidelyinEurope.HefoundedwithRichardAldington(1892-1962)andotherstheliteraryImagism,andediteditsfirstanthology,Des Imagistes(1914).l1920,PoundmovedtoParis.lFouryearslater,hesettledinItaly.l1
6、933,HemetMussoliniandsawinhimthelong-neededeconomicandsocialreformer.lDuringWorldWarII,hemadeaseriesofhystericalandbitterradiobroadcasts,thatwereopenlyfascist.lIn1945hewasarrestedbytheU.S.forces.lPoundspent12yearsinWashingtoninahospitalforthecriminallyinsane,butcontinuedwritinginside.lLater,thecharg
7、esagainsthimweredropped,andPoundreturnedtoItaly.HediedinVenicein1972.PoundsMajorLiteraryWorks Two translations:1)The Seafarer 水手船员水手船员based on translations from older Chinese poets like Li Bai 2)Cathay 华夏集华夏集神州集神州集中国诗章中国诗章PoundsMajorLiteraryWorks 3)Hugh Selwyn Mauberley 休休赛尔温赛尔温毛伯利毛伯利 Deplored the w
8、estern civilization in the Great War and its aftermath.PoundsMajorLiteraryWorks4)The Cantos 诗章诗章 encyclopedicepic poem 5)“In a Station of the Metro”在地铁站里在地铁站里ItexploreswesterncivilizationfromtheclassicalpastthroughthemedievalperiodandtheRenaissancetothemodernage,anddescribesremediesforitsculturalill
9、s.In a Station of the MetroIn a Station of the Metro 在地铁站在地铁站The The apparition apparition of these faces in the crowd;of these faces in the crowd;Petals on a wet,black bough Petals on a wet,black bough 人群中这些面孔幽灵一般显现;人群中这些面孔幽灵一般显现;湿漉漉的黑色枝条上许多花瓣。湿漉漉的黑色枝条上许多花瓣。Study Questions1.Whatisthedominantimagein
10、thispoem?theapparition2.Whydoesthepoetcallthefacesofpedestriansapparition?impersonality,hasteofcitylife3.Whatdothepoetcomparethefacesinthemetroto?petalsonawet,blackbough.4.Whatdoesthismetaphorrevealaboutlife?greattransienceofhumanlife,beautiful,butlastbriefly.Writing background:In a station of the M
11、etro is an imagist poem by Ezra Pound published in 1913 in Poetry诗歌.The poem attempts to describe Pounds experience upon visiting an underground metro station in Paris in 1912.Pound suggested that the faces of the individuals in the metro were best put into a poem not with a description but with an“
12、equation”.Because of the treatment of the subjects appearance by way of the poems own visuality(visuality(可视性可视性),it is considered a quintessential(a quintessential(典型的典型的)imagist text.)imagist text.在地铁站在地铁站:人潮中这些面容的忽现;湿巴巴的黑树丫上的花瓣。人潮中这些面容的忽现;湿巴巴的黑树丫上的花瓣。(罗池罗池)地铁车站地铁车站:人群中这些脸庞的幻影;潮湿黝黑的树枝上的花瓣。人群中这些脸庞的
13、幻影;潮湿黝黑的树枝上的花瓣。(成婴成婴)地铁车站地铁车站:人群中这些面庞的闪现;湿漉的黑树干上的花瓣。人群中这些面庞的闪现;湿漉的黑树干上的花瓣。(赵毅衡赵毅衡)在地铁车站在地铁车站:这几张脸在人群中幻景般闪现;湿漉漉的黑树枝上花瓣数点。这几张脸在人群中幻景般闪现;湿漉漉的黑树枝上花瓣数点。(飞白飞白)地铁站里地铁站里:出现在人群里这一张张面孔;湿的黑树枝上的一片片花瓣。出现在人群里这一张张面孔;湿的黑树枝上的一片片花瓣。(张子清张子清)人群里这些脸忽然闪现;花丛在一条湿黑的树枝。人群里这些脸忽然闪现;花丛在一条湿黑的树枝。(流沙河流沙河)人群中,这些面孔的鬼影;潮湿的黑树枝上的花瓣。人群中
14、,这些面孔的鬼影;潮湿的黑树枝上的花瓣。(余光中)余光中)这些面孔浮现于人群;花瓣潮湿的黑树枝。这些面孔浮现于人群;花瓣潮湿的黑树枝。(颜元叔颜元叔)众中梦幻身影,黝湿枝头疏花。众中梦幻身影,黝湿枝头疏花。(吴其尧吴其尧)In a Station of the MetroCharacteristics of His WritingPounds poetry is best known for its clear,economicalandconcrete,visualimages,freshrhythms,andmuscular,intelligent,unusuallines,such as
15、,in Canto LXXXI,“The ants a centaur in his dragon world,”or in poems inspired by Japanese haiku(俳句),such as“In a Station of the Metro”(1916).Literary Influence:Mentorship lPound spent much of his time concerned with promoting the careers of many of the great writers of the time and was a key figure
16、in the publication of many influential works,he provided invaluable feedback to T.S.EliotT.S.Eliot on the manuscript of The The Waste LandWaste Land,and he encouraged Ernest HemingwayErnest Hemingway and others as well.lPound was one of the most opinionated and unselfish men who ever lived,and he ma
17、de friends and enemies everywhere by the simple exercise of the classic American constitutional right of free speech.”Katherine Anne Porter,InfluencesonImagismGreek poetryFrench symbolismChinese poetryJapanese poetryAncientChina The greatest cultural influence over Pound came perhaps from ancient Ch
18、ina,especially Confucius(孔子).A Chinese imagist poetry Thoughts on Autumn To the tune of Sky Scouring SandA withered vine,an old trees gaunt and a raven croaking on high;A small bridge,the murmuring water and a thatched cottage nearby;An ancient path,the west wind and a bony horse is heard to neigh;L
19、o!The sun sets today;At the earth-end a heart-broken traveler plods his weary way.(辜正坤 译)天净沙天净沙秋思秋思马致远马致远 枯藤、老树、昏鸦,小桥、流水、人家,枯藤、老树、昏鸦,小桥、流水、人家,古道、西风、瘦马,夕阳西下,断肠人在天涯。古道、西风、瘦马,夕阳西下,断肠人在天涯。意象并置意象并置孤独、凄凉和忧伤的氛围孤独、凄凉和忧伤的氛围意象并置意象并置(Juxtaposition of images)柳永:柳永:“今宵酒醒何处?杨柳岸今宵酒醒何处?杨柳岸,晓风残月晓风残月”王维使至塞上:王维使至塞上:“大
20、漠孤烟直,长河落日圆大漠孤烟直,长河落日圆”柳宗元江雪柳宗元江雪:“千山鸟飞绝,万径人踪灭。千山鸟飞绝,万径人踪灭。孤舟笠翁,独钓寒江雪。孤舟笠翁,独钓寒江雪。”温庭筠温庭筠:“鸡声茅店月,人迹板桥霜鸡声茅店月,人迹板桥霜”贺铸:贺铸:“一川烟草,满城风絮,梅子黄时雨一川烟草,满城风絮,梅子黄时雨”司空曙:司空曙:“雨中黄叶树,灯下白头人雨中黄叶树,灯下白头人”马戴:马戴:“落叶他乡村,寒灯独夜人落叶他乡村,寒灯独夜人”辛弃疾:辛弃疾:“照影溪梅,怅绝代、幽人独立照影溪梅,怅绝代、幽人独立”白居易长恨歌白居易长恨歌:“玉容寂寞泪阑干,梨花一玉容寂寞泪阑干,梨花一枝春带雨枝春带雨”。(同样,前一
21、句写面孔,后一句写同样,前一句写面孔,后一句写的是花。的是花。)山东山水诗人孔孚(1925-1997)泉边泉边 掬一捧水 洗一洗眼睛 心也绿了 Haiku(俳句)俳句)A haiku(俳句)isaJapanesepoemwiththreelines.1.Ahaikuhas1717syllables,orderedintothreelinesoffive,seven,andfivesyllables2.Useofaseasonword(kigo)(季语)(季语)3.Thetopicofahaikupoemusuallydealswithnature.nature.ExamplesofHaiku(
22、俳句)(俳句)An old silent pondA frog jumps into the pond,Splash!silence again.古池古池()()古池蛙飞込水音古池蛙飞込水音 松尾芭蕉(松尾芭蕉(1644-16941644-1694)俳聖)俳聖訳文:闲寂古池旁,訳文:闲寂古池旁,青蛙跃进水中央,青蛙跃进水中央,水声扑通响。水声扑通响。TheRedWheelbarrowSo much dependsupona red wheelbarrowglazed with rainwaterbeside the whitechickens.William Carlos WilliamsWi
23、lliamCarlosWilliams1883-1963红色手推车红色手推车那么多东西依靠一辆红色手推车雨水淋得它晶亮旁边是一群白鸡那么多东西仰仗这辆红色的手推车运送雨水浇得它浑身溜滑旁边有几只白鸡选自彭予编译二十世纪英美抒情诗选Robert Frost(1874 1963)the most popular American poet of the 20th century.His poetry focuses on the landscape and people in New England.He combined tradtional verse forms with a clear A
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- Lecture1220thcenturyAmericanPoets1 剖析
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