Unit14UndertheSignofMickeyMouse&Co.综合教程四省公共课一等奖全国赛.pptx
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1、Unit2Unit 14 Under the Sign of Mickey Mouse&Co.第第1页页Watch the video and answer the following questions.1.What are they doing in this scene?Pre-reading Activities-Audiovisual supplement 1Audiovisual supplementCultural informationThey are celebrating Mickeys birthday.He is implying the gift is so nice
2、 and trying to be polite.2.What does Mickey mean when he says“I do not deserve it”?第第2页页Pre-reading Activities-Audiovisual supplement 2Audiovisual supplementCultural informationMickey Mouse 第第3页页Minnie:Its coming.Shh.Hide.Mickey:Hi,Minnie,how about a little Minnie:You clown.All:Happy birthday!Oh,you
3、 pal!Mickey:Hey,thanks!Thanks!Minnie:Go pick the cake.Mickey!Ah!An electric organ!Mickey:For me?Oh,I dont deserve it.Donald Duck:Deserve a lot!How about a little play,Mickey?Minnie:Oh,Mickey!All:laughVideo Script1Audiovisual supplementCultural information第第4页页American popular culture is the attitude
4、s and perspectives shared by the majority of the U.S.citizens,which expresses itself through a number of media,including movies,music,sports and cultural icons.Cultural information 1Audiovisual supplementCultural information第第5页页l Movies e.g.Hollywood,Broadwayl Music e.g.hip-hop,Rap,jazz,blues,count
5、ry,R&Bl Sports e.g.NBAl Cultural icons e.g.Mickey Mouse,Bugs Bunny Cultural information 2Audiovisual supplementCultural information第第6页页l American Brands:Coca-Cola,IBM,Johnson&Johnson,Microsoft,Wal-Mart Stores,etc.l American movies ticket office in China:American movies Avatar and Alice in Wonderlan
6、d ranked the first and the second in Chinas ticket office list of.Cultural information 1Audiovisual supplementCultural information第第7页页Structural analysis American culture has been infiltrating nations all over the world over the past two decades,marginalizing traditional cultures throughout the wor
7、ld and bringing about the kind of global“fun”culture that Disney is famous for.In this text,Todd Gitlin reveals the trend that American culture is becoming dominant and enjoys worldwide popularity,and accounts for this cultural phenomenon.Rhetorical featuresStructural analysisThe text can be divided
8、 into the following three parts:Part I(Paragraph 1):This is the introduction where the author advances his idea that American culture is dominant over the“global village”.第第8页页Structural analysisRhetorical featuresStructural analysisPart III(Paragraph 6):The author concludes his argument with a thou
9、ght-provoking restatement of his point.Part II(Paragraphs 2 5):This part presents evidence of the universal popularity that American culture enjoys,and explores what underlies the cultural phenomenon.This part can be further divided into two sub-sections.Paragraphs 2 4 as a sub-section give testimon
10、y to the idea that American pop culture is recognized worldwide,while Paragraph 5 explains why it is so.第第9页页Rhetorical Features 1Rhetorical featuresStructural analysis Contrast is a prominent feature of the text.It is realized by parallel structures,where there is semantic disparity.For instance,in
11、 Paragraph 1,“in mansions on the hill”is in contrast to“in huts”.In Paragraph 4,Grandfather is dressed in“traditional Tungusian clothing”.Grandson has on his head“a reversed baseball cap”.Contrast is also manifested through lexical opposition,as exemplified in“They are both local and cosmopolitan”,w
12、here“local”is opposite to“cosmopolitan”.There are other examples like dispatchcollect,well knownrarely acknowledged,lovehate,antagonismdependency,monoculturescultural bilingualism.Read the text and find other structural and lexical manifestations of contrast.第第10页页Detailed reading1Detailed readingUN
13、DER THE SIGN OF MICKEY MOUSE&CO.Todd Gitlin 1 Everywhere,the media flow defies national boundaries.This is one of its obvious,but at the same time amazing,features.A global torrent is not,of course,the master metaphor to which we have grown accustomed.Were more accustomed to Marshall McLuhans global
14、 village.Those who resort to this metaphor casually often forget that if the world is a global village,some live in mansions on the hill,others in huts.Some dispatch images and sounds around town at the touch of a button;others collect them at the touch of their buttons.Yet McLuhans image reveals an
15、 indispensable half-truth.If there is a village,it speaks American.It wears jeans,drinks Coke,eats at the golden arches,walks on swooshed shoes,plays electric guitars,recognizes Mickey Mouse,James Dean,E.T.,Bart Simpson,R2-D2,and Pamela Anderson.第第11页页Detailed reading2Detailed reading2 At the entran
16、ce to the champagne cellar of Piper-Heidsieck in Reims,in eastern France,a plaque declares that the cellar was dedicated by Marie Antoinette.The tour is narrated in six languages,and at the end you walk back upstairs into a museum featuring photographs of famous people drinking champagne.And who are
17、 they?Perhaps members of todays royal houses,presidents or prime ministers,economic titans or Nobel Prize winners?Of course not.They are movie stars,almost all of them American Marilyn Monroe to Clint Eastwood.The symmetry of the exhibition is obvious,the premise unmistakable:Hollywood stars,champio
18、ns of consumption,are the royalty of this century,more popular by far than poor doomed Marie.第第12页页3 Hollywood is the global cultural capital capital in both senses.The United States presides over a sort of World Bank of styles and symbols,an International Cultural Fund of images,sounds,and celebrit
19、ies.The goods may be distributed by American-,Canadian-,European-,Japanese-,or Australian-owned multinational corporations,but their styles,themes,and images do not detectably change when a new board of directors takes over.Entertainment is one of Americas top exports.In 1999,in fact,film,television
20、,music,radio,advertising,print publishing,and computer software together were the top export,almost$80 billion worth,and while software alone accounted for$50 billion of the total,some of that category also qualifies as entertainment video games and pornography,for example.Detailed reading3Detailed
21、reading第第13页页Detailed reading4 Hardly anyone is exempt from the force of American images and sounds.French resentment of Mickey Mouse,Bruce Willis,and the reset of American civilization is well known.Less well known,and rarely acknowledged by the French,is the fact that Terminator 2 sold 5 million t
22、ickets in France during the month it opened with no submachine guns at the heads of the customers.The same culture minister,Jack Lang,who in 1982 achieved a moment of predictable notoriety in the United States for declaring that Dallas amounted to cultural imperialism,also conferred Frances highest
23、honor in the arts on Elizabeth Taylor and Sylvester Stallone.The point is not hypocrisy pure and simple but something deeper,something obscured by a single-minded emphasis on American power:dependency.Detailed reading第第14页页Detailed reading5 American popular culture is the nemesis that hundreds of mi
24、llions perhaps billions of people love,and love to hate.The antagonism and the dependency are inseparable,for the media flood essentially American in its origin,but virtually unlimited in its reach represents,like it or not,a common imagination.Detailed reading第第15页页Detailed reading6-74 How shall we
25、 understand the Hong Kong T-shirt that says“I Feel Coke”?Or the little Japanese girl who asks an American visitor in all innocence,“Is there really a Disneyland in America?”(She knows the one in Tokyo.)Or the experience of a German television reporter sent to Siberia to film indigenous life,who afte
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