旗袍介绍英语演讲ppt.ppt

2014年年5月月27日日中国传统文化旗袍TheChinesetraditionalcultureCheongsamcontentslThedefinitionofcheongsamlTheevolutionofcheongsamlThestructureofcheongsamlRepresentativefigureslThefactionsofcheongsamonlPicturesappreciatingThedefinition（定义）（定义）TheQiPaoalsoknownasthecheongsamormandaringown(长袍长袍)；Itisabody-hugging(紧身的紧身的)one-piece(连衣连衣裙裙)ChinesedressWhycallQipaochinadressQipao,whichisfamouswithitsharmonyandunity,isknownastherepresentativeoftheChinesedressculture.Itshowstheeleganttemperament（优雅气质）（优雅气质）ofChinesewomen,demonstratestheculture(文化文化)andvirtues（美德）（美德）ofournation.1920s1930s 1940s After the Opium War(鸦片战争鸦片战争),the wide and loose body had gradually become short and narrow.In 1919,the Ordinance（法法令令）about garments was announced by the National Government and cheongsam was established to be the national garments.In the early Republic of China（中华民国中华民国），the cheongsam began to be popular again.The body became shortened.The waist（腰部腰部）was narrowed.1930s and 1940s saw the cheongsam in its peak fashion(时时尚顶峰尚顶峰).Affected by the styles of the Europe,a step forward was made in exposing the female figure（女性曲线女性曲线）In the East Asia,the founding of the Peoples Republic of China marks the end of the old life.The cheongsam,which has been cherished by people for a long time was not practical and was set aside(放置一旁放置一旁).But in 1950s and 1960s,cheongsams began to show up again（再次出现再次出现）in the peoples lives.Frog盘扣盘扣Thestructure立领立领襟襟衩衩Mandarincollar立领立领Lapel/frontofagarment襟襟Openings衩衩embroidery刺绣刺绣Thestyle(样式样式)Chi-paohasmanystyles,andthechangeismainlybasedonsleeves,Jin,collar,openings,andthelengthofCheongsam.Sleeves（袖子）（袖子）:widesleeves,narrowandlongsleeves,middlesleeves,shortsleevesorsleeveless.Jin（襟）（襟）:roundJin,straightJin,slantingJin(斜襟斜襟),doubleJin（双襟）（双襟）,PipaJin（琵琶襟）（琵琶襟）,andsoon.Collar(领领):highcollar,lowcollar，orcollarless.Openings（开衩）（开衩）:highopenings,lowopenings,noopeninglongsleevesshortsleevessleeveless.如意襟如意襟琵琶襟琵琶襟斜襟斜襟双襟双襟高领高领低领低领无领无领高开衩高开衩 低开衩低开衩Thefactions(派别派别)TheBeijingstyle京派京派ShanghaistyleTheBeijingstyleappearsreservedandconcise京派风格显得矜持凝京派风格显得矜持凝练练；京派京派ShanghaistyleabsorbingtheWestArtsisup-to-date,flexibleandhasastrongbusinessatmosphere.海派风格吸收西艺为，海派风格吸收西艺为，标新且灵活多样，商标新且灵活多样，商业气息浓厚。业气息浓厚。海派海派Representativefigures张爱玲张爱玲EileenChang(1920-1995)Awell-knownwriter，beaddictedtocheongsam.Lifeisacolorfulgown,coveredwithlice.生命是一袭华美的袍子，上面生命是一袭华美的袍子，上面爬爬满了虱子。满了虱子。衣服是一种言语，随衣服是一种言语，随身带着一种袖珍戏剧身带着一种袖珍戏剧贴身的环境贴身的环境那那就是衣服，我们各人住就是衣服，我们各人住在各人的衣服里在各人的衣服里宋美龄宋美龄SoongMay-ling(1897-2003)FirstladyinRepublicofChina.旗袍第一夫人旗袍第一夫人Sheownsthemostnumberofqipaoallovertheworld.邓丽君邓丽君WherethereareChinesethereishervoice,shereallymadethebeautyofthecheongsam,cheongsamaccomplishedherlegend.有华人的地方就有邓丽君的有华人的地方就有邓丽君的歌声，她成全了旗袍的美丽，歌声，她成全了旗袍的美丽，旗袍成就了她的传奇。旗袍成就了她的传奇。InthefilmIntheMoodforLove（似水年华）（似水年华），MaggieCheung（张曼玉）（张曼玉）changemorethan23setsofqipao,afterthemovierelease,Itsetoffarushof“cheongsamhot(旗袍热旗袍热).CheongsamreflectstheelegantcharmoforientalwomenPicturesappreciating玉玉脂脂白白Expo(展览会展览会)2010ShanghaiChina 立领采用中式旗袍的演变，既有中国文化含义的诠释又立领采用中式旗袍的演变，既有中国文化含义的诠释又融入了国际时尚化的设计手法融入了国际时尚化的设计手法。CheongsamforMissManners青青花花瓷瓷青花瓷系列设计灵感取自青花瓷系列设计灵感取自青花瓷器，采用了中国传统针青花瓷器，采用了中国传统针绣，再现了青花瓷的晕染效果。绣，再现了青花瓷的晕染效果。宝蓝宝蓝My personal opinions Ibelievethatthecheongsams,theChinesenationalgarments,willdevelopwellandstandinthepeakoftheworldclothing（屹立于世界服装的顶峰）（屹立于世界服装的顶峰）inthefuture.ChineseChi-paoshouldntbeforgottenbycontemporarygirls（当代女孩）（当代女孩）.