毕业设计《倾城之恋》与《傲慢与偏见》中婚恋观的比较以白流苏和伊丽莎白为例英语论文.doc

本科生毕业论文（设计）册

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XXXX大学本科毕业论文（设计）任务书
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论文（设计）题目： 《倾城之恋》与《傲慢与偏见》中婚恋观的比较
--以白流苏和伊丽莎白为例
学院： XXX学院 专业： XXXX 班级： XXXX级英语X班
学生姓名： XXX 学号： XXXX 指导教师： XXX 职称：XXX

1、 论文（设计）研究目标及主要任务
本论文的研究目标是以白流苏和伊丽莎白为例，比较《倾城之恋》与《傲慢与偏见》中婚恋观的异同。

2、论文（设计）的主要内容
本论文分为三章，第一章探讨物质基础对主人公婚恋选择的影响，第二章探讨女性意识对其影响，最后一章讨论精神契合对其影响。

3、论文（设计）的基础条件及研究路线
本论文的基础条件是不同的学者对张爱玲和简·奥斯汀婚恋观的比较及对《倾城之恋》和《傲慢与偏见》中婚恋观的研究。
研究路线是对影响主人公婚恋观的不同因素进行比较，并总结其异同。
4、主要参考文献
Austen, Jane. Pride and Prejudice. New York: Penguin Classics, 2009.
Chang, Eileen. Love in a Fallen city. London: Penguin Modern Classics, 2007.
Foster, E.M. Aspects of the Novel. Penguin Classics, 2005.
夏志清，2005，《中国现代小说史》，上海：复旦大学出版社。
迅雨,2001，论张爱玲的小说，《张爱玲评说六十年》，子通，亦清，北京：中国华侨出版社。

5、计划进度

阶段
起止日期
1
确定初步论文题目
3月16日前
2
与导师见面，确定大致范围，填开题报告和任务书，导师签字
3月16日-3月23日
3
提交论文提纲
3月23日-3月30日
4
交初稿和文献综述
3月30日-4月20日
5
交终稿和评议书
5月8日前
指 导 教师： 年 月 日
教研室主任： 年 月 日
注：一式三份，学院（系）、指导教师、学生各一份
XXXX大学本科生毕业论文（设计）开题报告书
XXX 学院 XXXX 专业 XXXX 届
学生
姓名
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论文（设计）题目
《倾城之恋》与《傲慢与偏见》中婚恋观的比较
-以白流苏和伊丽莎白为例
指导
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英美文学及翻译

课题论证：分析比较《倾城之恋》中白流苏与《傲慢与偏见》中伊丽莎白的婚恋观 。

方案设计：第一章介绍物质基础对主人公婚恋选择的影响，
第二章阐述女性意识对主人公婚恋选择的影响
第三章探讨精神契合对主人公婚恋选择的影响。

进度计划：3月16日前确定初步论文题目
3月23日前写开题报告、任务书
3月30日前提交论文提纲
4月20日前提交初稿和文献综述
5月8日前交终稿和评议书
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论 文 题 目
《倾城之恋》与《傲慢与偏见》中婚恋观的比较
--以白流苏和伊丽莎白为例
完成时间
XXXX5/8
论

文

内

容

摘

要

作为都曾红极一时的流行文化符号，简·奥斯汀和张爱玲不约而同的将自己的笔触定格在对女性爱情和婚姻的描写上。作为奥斯汀最为成功的小说之一，《傲慢与偏见》以十八世纪的英国乡村生活为背景，主要描写了四对男女不同的的价值取向和婚恋生活。而张爱玲的《倾城之恋》则描述了在战争烟火下一对男女的感情较量和情感纠葛。
本文共分为三章，分别分析了物质基础、女性意识和感情契合在两位主人公进行婚恋选择的过程中所产生的影响。第一章论述了物质基础对两位女主人公的婚恋选择都具有根本性的影响。第二章论述了女性意识的觉醒影响着伊丽莎白和白流苏的婚恋观，使她们跟同期女性相比具有一定程度的反叛意识，但其有限性又使她们最终仍将婚姻作为自我拯救的唯一方法。第三章论述了感情契合在两位主人公的婚恋生活中的地位。伊丽莎白将爱情看作婚姻的前提，没有爱情就没有婚姻。而对白流苏来说，她渴望爱情，但与物质保障相比，爱情也只是锦上添花的事。
本文通过分析伊丽莎白和白流苏的感情经历和心路历程，比较了两位主人公在婚恋观上的相似点。作品人物的内心世界往往是作者内心世界的反映，从这个角度讲，本文的研究许对两位伟大女性作家的比较研究贡献些许力量。

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XXXX大学本科生毕业论文（设计）文献综述
Literature Review
Enjoying great popularity as symbols of pop culture, both Jane Austin and Eileen Chang focus on describing love experience and marriage of women. Up to now, both the two authors themselves and their works have been frequently researched by scholars from all over the world.
In 1940s, Eileen’s essays were appreciated by some scholars. Su Qing regarded her as a fairy talent. But her novels were rarely researched by others. However, in 1944, Fu Lei, a great writer and translator published his On Eileen Chang’s novels in which he analyzed the writing skills, language features and specific plots of Eileen’s novels through the research of The Golden Cangue, Love in a Fallen City and Lian Huan Tao. In this article, Fu Lei criticized the narrowness of Eileen’s writing theme and flaws in her plots. He affirmed Eileen’s talent in psychological observation, language skills and imagination, but according to him, when it comes to the contribution of these talents to her works, it can only be found in The Golden Cangue. He believed that The Golden Cangue was Eileen’s best novel.
The real popularity of Eileen Chang started from 1980s when the American Chinese professor named Xia Zhiqing’s History of Modern Chinese Fiction, which was first published in Hong Kong in 1979, and later caught the attention of mainland scholars in 1980s, entered mainland China. In that book, professor Xia expressed that Eileen was the greatest writer of China at that time. If only short story was taken into consideration, Eileen was even comparable with Katherine Mansfield and MacKereth. He highly appreciated The Golden Cangue as the best novellas that China ever had. Professor Xia used 42 pages to introduce Eileen while only 28 pages to introduce the great Chinese writer Lu Xun. From this we can see the author’s preference to Eileen. Despite the influence of his political stand on his literary aesthetics, which many scholars criticized him for later on, we can still get a glimpse on Eileen’s status in Chinese literary history. The publication and success of that book marks Eileen’s real entrance into China’s literary history and scholars’ research. However, it is the publication of Ke Ling’s A Letter to Eileen Chang From Far Away in Reading and Harvest that finally brought Eileen’s novels to people.
Another scholar that cannot be ignored is Chen ZiShan. He has published many books about Eileen, such as whisper to Eileen Chang, Eileen Chang Untold, Farewell to Eileen Chang etc. to research Eileen’s works and her life experience. Early to 1930s, scholars and critics had criticized Eileen for the narrowness of her writing themes and the contraction of her visual field, but Chen believed that from a English biography Eileen wrote in 1965, in which she wrote about China’s modern history and political and cultural evolution, we could see her broad horizon.
Chinese scholars’ attention toward Jane Austen first started from 1980s, and then research of Jane and her works came in continuous stream. Before 1980s, similar with Eileen, Jane was criticized for her “narrowness of her writing themes and the contraction of her visual field”, so her novels and her influence in world literary history was not fully noticed. Zhu Hong started the early research of Jane Austin in China. In 1982, she published her article Pride and Prejudice Toward Jane Austen and appealed for people’s attention toward Jane. During 1980s, many famous scholars wrote to remove people’s prejudice toward Jane, such as Yang Jiang and Qian Zhen etc.. In 1990s, China’s study of Jane Austen became more thorough. Scholars and critics began to study her ideology and artistic achievements from various perspectives. Many of Jane’s novels were translated into Chinese at that period of time. In recent years, the literary world’s passion on Jane Austen has not waned. Scholars began to study Jane from more specific perspectives, mainly as follows. First is about the view of marriage. Jane’s thinking about love, marriage and money has become a classic topic of study. Generally speaking, it is a common view that in Jane’s opinion, marriage for pure interest and marriage without consideration of interest are both wrong. A successful marriage should be a combination of both spiritual and material happiness. Second is about Jane’s attitude toward sense and sensibility. This is a controversial topic. Traditionally, people think Jane is a rational writer who is against romantic ideas. But some scholars thought that Jane is a combination of ration and romance. Thirdly, research Jane Austen from the perspective of feminine criticism. Jane’s novels reflected social status of women at that time, expressed her pursuit of equality with men, and her works and artistic achievements challenged man’s dominant position in literary world. The fourth is about Jane’s language arts. The most major feature of Jane’s writing skills is irony. Her basic skill of characterizing flat figures is combining irony and realistic description together. She also uses irony to highlight the characteristics of round figures. However, her irony toward main heroines is far more mild and inexplicit. Jane is regarded as the first novelist who utilizes irony to break down the perfect leading heroes (heroines) in western novels. The fifth one is research about Jane’s narrative skills. The sixth is study of Jane Austen’s ideology. Some scholars believe that Jane is a conservative who agrees with traditional order, while others hold that she is a liberal who is against order and tradition. Anyway, the differences come from different perspectives of study. Last but not the least is researching Jane Austen from the perspective of comparative study. Some scholars have compared Pride and Prejudice with The Red Mention while some one compared Jane Austen with Charlotte Bronte. This essay is going to compare Pride and Prejudice with Love in a Fallen City.
About the comparison between Jane Austen and Eileen Chang, many scholars have paid their attention to their differences and similarities from various perspectives. The first is the comparison of their view of marriage. Most researchers have studied their view of marriage from the influence of material foundation on marriage, their different attitude toward marriage (Jane’s attitude toward love and marriage was relatively optimistic and ideal while Eileen was a pessimist), and some other point of views. The second is about feminine consciousness reflected in their works. Jane’s feminine consciousness reflected in her works is mainly through the independence, courage and wisdom of her heroines while Eileen expresses hers through merciless criticism of the patriarchal society and description of the torture that women suffer. The third is research of the ironic writing skills.
Through reviewing the studies carried on by other scholars and professionals, we can see that most attention was paid to the differences between the two authors and their works or writing skills. However, although there are many differences between Jane Austin and Eileen Chang, and between their works, a great many of similarities can be found in their novels, such as the view on love and marriage of Elizabeth and Bai Liusu—the two heroines of Pride and Prejudice and Love in a Fallen City. Thus, this essay will focus on the similarities between their views on love and marriage through analyzing their emotional experience and psychological changes.

本科生毕业论文

题目： 《倾城之恋》与《傲慢与偏见》中婚恋观的比较
--- 以白流苏和伊丽莎白为例

作者姓名： XX
指导教师： XXX
所在学院： XXX学院
专业（系）： 英语笔译
班级（届）： XXXX届

完成日期 XXXX 年 5 月 8 日

A Comparison of the View of Marriage
in Pride and Prejudice and Love in a Fallen City
-Taking Bai Liusu and Elizabeth as Examples

BY
XXX
Prof. XXX, Tutor

A Thesis Submitted to Department of English
Language and Literature in Partial
Fulfillment of the
Requirements for the Degree of B.A. in English
At XXXUniversity

May 8th , XXXX

Abstract

Enjoying great popularity as symbols of pop culture, both Jane Austin and Eileen Chang focus on describing love experience and marriage of women. Although they lived in different times and social circumstances, their writing skills and themes embrace great similarities. As one of Austin’s most famous novels, Pride and Prejudice mainly describes the life and emotional experience of four couples in the countryside of England in the 18th century. Love in a Fallen City of Eileen tells a story of a couple’s emotional life in Shanghai and Hong Kong during the Japanese occupation.
The essay is divided into three charters, analyzing how financial guarantee, feminine consciousness and mutual affection influence the heroines’ views of marriage respectively. The first chapter illustrates that material foundation plays a crucial role in the two heroines’ love and marriage. The second chapter shows that the awakening of feminine consciousness greatly influenced the view of marriage of both Elizabeth and Bai Liusu. Comparing with other women in their times, they are relatively rebellious. However, the limitation of their feminine consciousness makes them still choose marriage as the final way of self-salvation. The third chapter love in their marriage. Elizabeth views love as the prerequisite of marriage and she will never marriage someone she have no feelings for. However, she is sensitive enough not to fully surrender her ration to love. While for Bai Liusu, she is eager for love, but compared with material safety, love is only icing on the cake.
Through analyzing the emotional experience of Elizabeth and Bai Liusu, it compares the similarities of their views of marriage. The inner world of the heroines is a reflection of that of the author. From that perspective, the research of this essay may be of some help to the comparative study of the two great women writers..

Key words Pride and Prejudice Love in a Fallen city
view of marriage comparison

摘要

作为都曾红极一时的流行文化符号，简·奥斯汀和张爱玲不约而同的将自己的笔触定格在对女性爱情和婚姻的描写上。作为奥斯汀最为成功的小说之一，《傲慢与偏见》以十八世纪的英国乡村生活为背景，主要描写了四对男女不同的的价值取向和婚恋生活。而张爱玲的《倾城之恋》则描述了在战争烟火下一对男女的感情较量和情感纠葛。
本文共分为三章，分别分析了物质基础、女性意识和感情契合在两位主人公进行婚恋选择的过程中所产生的影响。第一章论述了物质基础对两位女主人公的婚恋选择都具有根本性的影响。第二章论述了女性意识的觉醒影响着伊丽莎白和白流苏的婚恋观，使她们跟同期女性相比具有一定程度的反叛意识，但其有限性又使她们最终仍将婚姻作为自我拯救的唯一方法。第三章论述了感情契合在两位主人公的婚恋生活中的地位。伊丽莎白将爱情看做婚姻的前提，没有爱情就没有婚姻。而对白流苏来说，她渴望爱情，但与物质保障相比，爱情也只是锦上添花的事。
本文通过分析伊丽莎白和白流苏的感情经历和心路历程，比较了两位主人公在婚恋观上的相似点。作品人物的内心世界往往是作者内心世界的反映，从这个角度讲，本文的研究许对两位伟大女性作家的比较研究贡献些许力量。

关键词 《傲慢与偏见》 《倾城之恋》 婚恋观 比较

Table of Contents

Introduction 1
Chapter I. Financial Guarantee of Marriage 5
A. Bai Liusu: Material Safety Overshadows Love. 5
B． Elizabeth: Material Safety and Love Play Equal Roles in Marriage. 7
Chapter II. Limited Feminine Consciousness in Marriage 10
A．Bai Liusu: Rebellious Consciousness in Marriage. 10
B．Elizabeth: Independence and Equality in Marriage. 13
Chapter III. Mutual Affection and Spiritual Happiness 16
A. Bai Liusu: Love is Feeble for Marriage. 16
B. Elizabeth: Love is Indispensable for Marriage. 18
Conclusion 22
Notes 24
Bibliography……………………………………………………………..……...25

iii

Introduction
Love and marriage are two of the everlasting themes of literary works. No matter in Chinese culture or in western culture, love and marriage are major carriers of human and humanity.
Jane Austen was regarded as one of the most outstanding British authoresses whose literary theme is mainly concentrated on love and marriage. Her novels focus on describing the tranquil life of gentry, clergies, and landowners. She wrote from women’s point of view to illustrate love, marriage, and trivial daily things. Jane arranged her works with her comic irony, humor and sensitivity t